Long, Last, Happy Page 5

  I was deciding to lie down on the kitchen floor and sleep the night, when Lilian turned on the light and appeared in her panties and bra. Her body was perfect except for a tiny bit of fat on her upper thighs. She’d sunbathed herself so her limbs were brown, and her stomach, and the instinct was to rip off the white underwear and lick, suck, say something terrific into the flesh that you discovered.

  She was moving her mouth.

  “Say it again slowly.”

  “I’m lonely. When he took off in his jet, I think it meant he wasn’t ever going to see me again. I think it meant he was laughing at both of us. He’s an astronaut and he spits on us.”

  “You want me on the bed with you?” I asked.

  “I know you’re an intellectual. We could keep on the lights so you’d know what I said.”

  “You want to say things? This isn’t going to be just sex?”

  “It could never be just sex.”

  “I agree. Go to sleep. Let me make up my mind whether to come in there. Turn out the lights.”

  Again the dark, and I thought I would cheat not only Quadberry but the entire Quadberry family if I did what was natural.

  I fell asleep.

  Quadberry escorted B-52s on bombing missions into North Vietnam. He was catapulted off the Bonhomme Richard in his suit at 100 degrees temperature, often at night, and put the F-8 on all it could get—the tiny cockpit, the immense long two-million-dollar fuselage, wings, tail and jet engine, Quadberry, the genius master of his dragon, going up to twenty thousand feet to be cool. He’d meet with the big B-52 turtle of the air and get in a position, his cockpit glowing with green and orange lights, and turn on his transistor radio. There was only one really good band, never mind the old American rock-and-roll from Cambodia, and that was Red Chinese opera. Quadberry loved it. He loved the nasal horde in the finale, when the peasants won over the old fat dilettante mayor. Then he’d turn the jet around when he saw the squatty abrupt little fires way down there after the B-52s had dropped their diet. It was a seven-hour trip. Sometimes he slept, but his body knew when to wake up. Another thirty minutes and there was his ship waiting for him out in the waves.

  All his trips weren’t this easy. He’d have to blast out in daytime and get with the B-52s, and a SAM missile would come up among them. Two of his mates were taken down by these missiles. But Quadberry, as on saxophone, had endless learned technique. He’d put his jet perpendicular in the air and make the SAMs look silly. He even shot down two of them. Then, one day in daylight, a MiG came floating up level with him and his squadron. Quadberry couldn’t believe it. Others in the squadron were shy, but Quadberry knew where and how the MiG could shoot. He flew below the cannons and then came in behind it. He knew the MiG wanted one of the B-52s and not mainly him. The MiG was so concentrated on the fat B-52 that he forgot about Quadberry. It was really an amateur suicide pilot in the MiG. Quadberry got on top of him and let down a missile, rising out of the way of it. The missile blew off the tail of the MiG. But then Quadberry wanted to see if the man got safely out of the cockpit. He thought it would be pleasant if the fellow got out with his parachute working. Then Quadberry saw that the fellow wanted to collide his wreckage with the B-52, so Quadberry turned himself over and cannoned, evaporated the pilot and cockpit. It was the first man he’d killed.

  The next trip out, Quadberry was hit by a ground missile. But his jet kept flying. He flew it a hundred miles and got to the sea. There was the Bonhomme Richard, so he ejected. His back was snapped but, by God, he landed right on the deck. His mates caught him in their arms and cut the parachute off him. His back hurt for weeks, but he was all right. He rested and recuperated in Hawaii for a month.

  Then he went off the front of the ship. Just like that, his F-6 plopped in the ocean and sank like a rock. Quadberry saw the ship go over him. He knew he shouldn’t eject just yet. If he ejected now he’d knock his head on the bottom and get chewed up in the motor blades. So Quadberry waited. His plane was sinking in the green and he could see the hull of the aircraft carrier getting smaller, but he had oxygen through his mask and it didn’t seem that urgent a decision. Just let the big ship get over. Down what later proved to be sixty feet, he pushed the ejection button. It fired him away, bless it, and he woke up ten feet under the surface swimming against an almost overwhelming body of underwater parachute. But two of his mates were in a helicopter, one of them on the ladder to lift him out.

  Now Quadberry’s back was really hurt. He was out of this war and all wars for good.

  Lilian, the stewardess, was killed in a crash. Her jet exploded with a hijacker’s bomb, an inept bomb which wasn’t supposed to go off, fifteen miles out of Havana; the poor pilot, the poor passengers, the poor stewardesses were all splattered like flesh sparklers over the water just out of Cuba. A fisherman found one seat of the airplane. Castro expressed regrets.

  Quadberry came back to Clinton two weeks after Lilian and the others bound for Tampa were dead. He hadn’t heard about her. So I told him Lilian was dead when I met him at the airport. Quadberry was thin and rather meek in his civvies—a gray suit and an out-of-style tie. The white ends of his hair were not there—the halo had disappeared—because his hair was cut short. The Arab nose seemed a pitiable defect in an ash-whiskered face that was beyond anemic now. He looked shorter, stooped. The truth was he was sick, his back was killing him. His breath was heavy-laden with airplane martinis and in his limp right hand he held a wet cigar. I told him about Lilian. He mumbled something sideways that I could not possibly make out.

  “You’ve got to speak right at me, remember? Remember me, Quadberry?”

  “Mom and Dad of course aren’t here.”

  “No. Why aren’t they?”

  “He wrote me a letter after we bombed Hué. Said he hadn’t sent me to Annapolis to bomb the architecture of Hué. He had been there once and had some important experience—French-kissed the queen of Hué or the like. Anyway, he said I’d have to do a hell of a lot of repentance for that. But he and Mom are separate people. Why isn’t she here?”

  “I don’t know!”

  “I’m not asking you the question. The question is to God.”

  He shook his head. Then he sat down on the floor of the terminal. People had to walk around. I asked him to get up.

  “No. How is old Clinton?”

  “Horrible. Aluminum subdivisions, cigar boxes with four thin columns in front, thick as a hive. We got a turquoise water tank; got a shopping center, a monster Jitney Jungle, fifth-rate teenyboppers covering the place like ants.” Why was I being so frank just now, as Quadberry sat on the floor downcast, drooped over like a long weak candle? “It’s not our town anymore, Ard. It’s going to hurt to drive back into it. Hurts me every day. Please get up.”

  “And Lilian’s not even over there now.”

  “No. She’s a cloud over the Gulf of Mexico. You flew out of Pensacola once. You know what beauty those pink and blue clouds are. That’s how I think of her.”

  “Was there a funeral?”

  “Oh, yes. Her Methodist preacher and a big crowd over at Wright Ferguson funeral home. Your mother and father were there. Your father shouldn’t have come. He could barely walk. Please get up.”

  “Why? What am I going to do, where am I going?”

  “You’ve got your saxophone.”

  “Was there a coffin? Did you all go by and see the pink or blue cloud in it?” He was sneering now as he had done when he was eleven and fourteen and seventeen.

  “Yes, they had a very ornate coffin.”

  “Lilian was the Unknown Stewardess. I’m not getting up.”

  “I said you still have your saxophone.”

  “No, I don’t. I tried to play it on the ship after the last time I hurt my back. No go. I can’t bend my neck or spine to play it. The pain kills me.”

  “Well, don’t get up, then. Why am I asking you to get up? I’m just a deaf drummer, too vain to buy a hearing aid. Can’t stand to write the ad copy I do. Wasn’t
I a good drummer?”

  “Superb.”

  “But we can’t be in this condition forever. The police are going to come and make you get up if we do it much longer.”

  The police didn’t come. It was Quadberry’s mother who came. She looked me in the face and grabbed my shoulders before she saw Ard on the floor. When she saw him she yanked him off the floor, hugging him passionately. She was shaking with sobs. Quadberry was gathered to her as if he were a rope she was trying to wrap around herself. Her mouth was all over him. Quadberry’s mother was a good-looking woman of fifty. I simply held her purse. He cried out that his back was hurting. At last she let him go.

  “So now we walk,” I said.

  “Dad’s in the car trying to quit crying,” said his mother.

  “This is nice,” Quadberry said. “I thought everything and everybody was dead around here.” He put his arms around his mother. “Let’s all go off and kill some time together.” His mother’s hair was on his lips. “You?” he asked me.

  “Murder the devil out of it,” I said.

  I pretended to follow their car back to their house in Clinton. But when we were going through Jackson, I took the North 55 exit and disappeared from them, exhibiting a great amount of taste, I thought. I would get in their way in this reunion. I had an unimprovable apartment on Old Canton Road in a huge plaster house, Spanish style, with a terrace and ferns and yucca plants, and a green door where I went in. When I woke up I didn’t have to make my coffee or fry my egg. The girl who slept in my bed did that. She was Lilian’s little sister, Esther Field. Esther was pretty in a minor way and I was proud how I had tamed her to clean and cook around the place. The Field family would appreciate how I lived with her. I showed her the broom and the skillet, and she loved them. She also learned to speak very slowly when she had to say something.

  Esther answered the phone when Quadberry called me seven months later. She gave me his message. He wanted to know my opinion on a decision he had to make. There was this Dr. Gordon, a surgeon at Emory Hospital in Atlanta, who said he could cure Quadberry’s back problem. Quadberry’s back was killing him. He was in torture even holding up the phone to say this. The surgeon said there was a seventy-five/twenty-five chance. Seventy-five that it would be successful, twenty-five that it would be fatal. Esther waited for my opinion. I told her to tell Quadberry to go over to Emory. He’d got through with luck in Vietnam, and now he should ride it out in this petty back operation.

  Esther delivered the message and hung up.

  “He said the surgeon’s just his age; he’s some genius from Johns Hopkins Hospital. He said this Gordon guy has published a lot of articles on spinal operations,” said Esther.

  “Fine and good. All is happy. Come to bed.”

  I felt her mouth and her voice on my ears, but I could hear only a sort of loud pulse from the girl. All I could do was move toward moisture and nipples and hair.

  Quadberry lost his gamble at Emory Hospital in Atlanta. The brilliant surgeon his age lost him. Quadberry died. He died with his Arabian nose up in the air.

  That is why I told this story and will never tell another.

  Coming Close to Donna

  FISTFIGHT ON THE OLD CEMETERY. BOTH OF THEM WANT DONNA, square off, and Donna and I watch from the Lincoln convertible.

  I’m neutral. I wear sharp clothes and everybody thinks I’m a fag, though it’s not true. The truth is, I’m not all that crazy about Donna, that’s all, and I tend to be sissy of voice. Never had a chance otherwise—raised by a dreadfully vocal old aunt after my parents were killed by vicious homosexuals in Panama City. Further, I am fat. I’ve got fat ankles going into my suede boots.

  I ask her, “Say, what you think about that, Donna? Are you going to be whoever wins’s girlfriend?”

  “Why not? They’re both cute,” she says.

  Her big lips are moist. She starts taking her sweater off. When it comes off, I see she’s got great humpers in her bra. There’s a nice brown valley of hair between them.

  “I can’t lose,” she says.

  Then she takes off her shoes and her skirt. There is extra hair on her thighs near her pantie rim. Out in the cemetery, the guys are knocking the spunk out of each other’s cheeks. Bare, Donna’s feet are red and not handsome around the toes. She has some serious bunions from her weird shoes, even at eighteen.

  My age is twenty. I tried to go to college but couldn’t sit in the seats long enough to learn anything. Plus, I hated English composition, where you had to correct your phrases. They cast me out like so much wastepaper. The junior college system in California is tough. So I just went back home. I like to wear smart clothes and walk up and down Sunset Strip. That will show them.

  By now, Donna is naked. The boys, Hank and Ken, are still battering each other out in the cemetery. I look away from the brutal fight and from Donna’s nakedness. If I were a father, I couldn’t conceive of this from my daughter.

  “Warm me up, Vince. Do me. Or are you really a fag like they say?”

  “Not that much,” I say.

  I lost my virginity. It was like swimming in a warm, oily room—rather pleasant—but I couldn’t finish. I thought about the creases in my outfit.

  “Come in me, you fag,” says she. “Don’t hurt my feelings. I want a fag to come in me.”

  “Oh, you pornographic witch, I can’t,” says I.

  She stands up, nude as an oyster. We look over at the fight in the cemetery. When she had clothes on, she wasn’t much to look at. But naked, she is a vision. She has an urgent body that makes you forget the crooked nose. Her hair is dyed pink, but her organ hair isn’t.

  We watch Hank and Ken slugging each other. They are her age and both of them are on the swimming team.

  Something is wrong. They are too serious. They keep pounding each other in the face past what a human could take.

  Donna falls on her knees in the green tufted grass.

  She faints. Her body is the color of an egg. She fainted supine, titties and hair upward.

  The boys are hitting to kill. They are not fooling around. I go ahead in my smart bell-bottom cuffed trousers. By the time I reach them, they are both on the ground. Their scalps are cold.

  They are both dead.

  “This is awful. They’re dead,” I tell Donna, whose eyes are closed.

  “What?” says she.

  “They killed each other,” says I.

  “Touch me,” she says. “Make me know I’m here.”

  I thrust my hand to her organ.

  “What do we do?” says I.

  She goes to the two bodies, and is absorbed in a tender unnatural act over the blue jeans of Hank and Ken. In former days, these boys had sung a pretty fine duet in their rock band.

  “I can’t make anybody come! I’m no good!” she says.

  “Don’t be silly,” I say. “They’re dead. Let’s get out of here.”

  “I can’t just get out of here! They were my sweethearts!” she screams. “Do me right now, Vince! It’s the only thing that makes sense.”

  Well, I flung in and tried.

  A half year later, I saw her in Hooper’s, the pizza parlor. I asked her how it was going. She was gone on heroin. The drug had made her prettier for a while. Her eyes were wise and wide, all black, but she knew nothing except desperation.

  “Vince,” she said, “if you’d come lay your joint in me, I wouldn’t be lost anymore. You’re the only one of the old crowd. Screw me and I could get back to my old neighborhood.”

  I took her into my overcoat, and when I joined her in the street in back of a huge garbage can, she kept asking: “Tell me where it is, the cemetery!”

  At the moment, I was high on cocaine from a rich woman’s party.

  But I drove her—that is, took a taxi—to the cemetery where her lovers were dead. She knelt at the stones for a while. Then I noted she was stripping off. Pretty soon she was naked again.

  “Climb me, mount me, fight for me, fuck me!” she screamed.


  I picked up a neighboring tombstone with a great effort. It was an old thing, perhaps going back to the nineteenth century. I crushed her head with it. Then I fled right out of there.

  Some of us are made to live for a long time. Others for a short time. Donna wanted what she wanted.

  I gave it to her.

  Dragged Fighting from His Tomb

  IT WAS A ROUT.

  We hit them, but they were ready this time.

  His great idea was to erupt in the middle of the loungers. Stuart was a profound laugher. His banjo-nigger was with him almost all the time, a man who could make a ballad instantly after an ambush. We had very funny songs about the wide-eyed loungers and pickets, the people of negligent spine leisuring around the depots and warehouses, straightening their cuffs and holding their guns as if they were fishing poles. Jeb loved to break out of cover in the clearing in front of these guards. He offered them first shot if they were ready, but they never were. It was us and the dirty gray, sabers out, and a bunch of fleeing boys in blue.

  Except the last time, at Two Roads Junction in Pennsylvania.

  These boys had repeaters and they were waiting for us. Maybe they had better scouts than the others. We’d surprised a couple of their pickets and shot them down. But I suppose there were others who got back. This was my fault. My talent was supposed to be circling behind the pickets and slaying every one of them. So I blame myself for the rout, though there are always uncertainties in an ambush. This time it was us that were routed.